Christianity's Most Important Symbol

The cross is Christianity’s most important symbol.  There is nothing pretty about it, for it was meant in Jesus’day to be a brutal method of punishment and a deterrent to anyone who rebelled against the Roman Empire.  It was a lesson to anyone to show what would happen to him or her after rebelling against the government.  Scripture gives the message of the cross.  “For the message of the cross is foolishness to those who are perishing, but to us who are being saved, it is the power of God.” (1Cor:18)  

Christians gave the cross a different significance than the Romans had.  To them, there was power in the cross.  They understood that God had chosen it as one of the “foolish things of the world to shame the wise; God chose the weak things of the world to shame the strong.  He chose the lowly things of this world and the despised things -and the things that are not -to nullify the things that are, so that noone may boast before him.”

(1Cor.1:27-29) 

The message of the cross is to cause us to understand that out of the outflow of God’s love for mankind He gave us “the cross.”  God established a process by which He took up residence with us.  He took upon Himself the nature of man.  It was decisive for each of us and for the entire universe that the cross would be the basis by which people can be reconciled to God.  The cross was the means by which a ransom or a price could be paid by God on behalf of any individual for the sinfulness of mankind.  Because God is of infinite character, the debt incurred to God by our sin was correspondingly infinite.  By our sin we rebelled against God who Himself is of infinite nature.  The debt was too great for mankind to repay and only God could repay it.  All explanations are inadequate.  Any image that we may use to describe the repayment of our debt to God is not an alternative, but is complimentary, with each adding a part to the explanation.  What happened on the cross is the most important thing that happened in all of history.  God, because of His great love for us, gave His life on the cruel cross to pay mankind’s sinfulness towards Him.

The word “foolishness” was derived from the original word that means “moron,” and it also means, “no sense,” and “moronic.”  Scripture is saying that this is what the Gospel is like to those who are perishing.  They just don’t understand that the cross represents God’s outpouring love which makes it possible for anyone to ask forgiveness for transgressions and be assured of it when he or she should ask in sincerity.

Jews demand “signs” to prove God’s presence and intervention.  Nicodemus, a Jew, began his dialogue with Jesus by saying no one could perform the signs that Christ had shown except if He was of God.  Still, he wanted another sign.  

Why was the cross still offensive to the Jews?  A Crucified Messiah is whom they didn’t want; not a Messiah who would die on the cross.  They had different specifications: a Deliverer, and a King, but not a prophet who was calling people to personal righteousness.  They considered that a sinful person could only be considered as an offender, one who required the most brutal punishment, and be so gravely treated, as to be hung on the cross.  

For the Greeks, they preferred wisdom, and they chose to make their own decision about who God should be.  For them, the message about a God who had to suffer pain had to be foolishness.

Why did God choose this method of reconciliation?  It was so God could reveal to us what He is like.  The Christian believer’s all-wise God did an act of inestimable cost to Himself.  God who created the universe, who is all-powerful and who has the intricacy of mind that expresses utmost wisdom, is glorious on the cross where we see His greatness, His power and infinite love.  On the cross, God is glorious because He paid our penalty for sinfulness, allowing us to go free.

Our problem is pride, wherein we could think that personal heroic deeds would pay for our sinfulness.  The depth of our need was revealed on the cross.  Punishment for our infinite sin required nothing less than the cross, with our infinite God paying for infinite sin.  Infinite sin is of man sinning against God.  The ground is level at the foot of the cross.  Anyone, even the vilest sinner can come to ask forgiveness.  One sin is equal to another as it relates to the purity of God, so God chose “the lowly things” to remove the pride of the individual.  Everyone is welcome to ask forgiveness at the cross when the request is asked with sincerity.  Because of the cross, forgiveness and righteousness, (which is a right relationship with God, are both gifts from God that are certain and allow for a completely new beginning. 

No Obligation

Years ago, Martin Luther, 1483-1546, decided to correct the beliefs that people had about their salvation.  He said people believed that Jesus was simply half of the equation while the other half was “works.”  Later, he presented a “novel doctrine,” which was “salvation is by faith only,” and he lectured on it in languages such as Romans and Hebrews.

He preached, “the just shall live by faith,”(He.10: 38) for God provided all we need for our salvation and we can’t add anything to our simple trust.  “Just” may be translated as ‘righteous’ or ‘forgiven.’  At first, it seemed extreme that God paid it all.  Questions arose, “What about love, self control, kindness, humility and compassion?  Wouldn’t it mean everything is okay when you possess all those good qualities and you also believe Scripture doesn’t tell us we can do what we want and still believe in God?  Would that not be okay?”  You might say you’ve satisfied the criteria if you believe in God.  Don’t overlook the fact that the devil believes in God, but it hasn’t changed him one iota.

We won’t agree with all of Luther’s 95 theses, but there are some with which we will agree.  One is certainly faith, which he accented, as the need to believe in John 3:16, which is, “for God so loved the world, that He gave His only begotten Son that whosoever believeth in Him should not perish, but have everlasting life.”  We will also agree with the statement he pointed out from Ephesians 2:8, “For by grace are ye saved through faith; and that not of yourselves: it is the gift of God: not of works lest any man should boast.” Where the Scripture in Romans 1:17 says, “The just shall live by faith” it seems to say, that’s all that’s needed for one’s salvation

Many Christians have not grasped the truth, that half the formula for God’s forgiveness is not deeds.  The reason for this is that Jesus paid completely for our sins and by His personal sacrifice, our sins were forgiven.  If our works promised our salvation, we would have the tendency to boast, which is senseless, for we can never outdo God!
For ever so long, people believed there were rules by which one had to abide, besides believing that Jesus gave His life.  For them, they believed one had to be circumcised and also obey time-honored laws, which meant that they had to be Jewish.  Paul was explaining to those people that they were turning to a different Gospel, which wasn’t a variation of the Gospel, but that it was no Gospel at all.  The essentiality of what he was saying is, “O foolish Galatians, who hath bewitched you that you should not obey the truth, before whose eyes Jesus Christ hath been evidently set forth, crucified among you? (Galatians 1:3)
 
Paul taught that Jesus is God’s only Son and that He humbled Himself, though He was God, to suffer in your place, and now you have to believe.  And, since God did all this, it is all you need to believe.  It is simply by believing all that you have heard that you are forgiven of your sins.  He added for comparison, if forgiveness is completely by the law, you must keep every last detail, because not one of us has kept the 10 commandments in its entirety.  Jesus became the curse (sin) for us so we can become free from the curse.  That means that Jesus took our sins upon Himself, and paid our penalty to God.  Nothing shall enter Heaven by which it would be defiled.  That is what Paul explained; that salvation has to be entirely by faith.  He was in effect, saying, ‘How can you be thinking you can add something to what God has done?  You are establishing your own criteria and tend to emphasize those criteria more that which God has done, and you are also saying, “You must do this and not that!”’

The reason God did not accept Cain’s offering, while he did accept that of his brother Able, is that Cain was practicing his own religion while his brother Able was giving of himself to God.  This is the real reason why God did not accept Cain’s offering.  It is not that his was the offering of a blood sacrifice, where the Scripture says, it is only by blood we are saved, but he offered what God expected and didn’t substitute something else.  We can only entrust ourselves to God and in that respect, salvation is only by faith.

Martin Luther said, “We are saved by faith alone,” but we realize that the faith that saves is never alone.  Actually, one who has faith in Christ’s sacrifice, carries that thought around constantly and is ever willing to do some act of kindness for others, simply from being thankful; not for personal gain.

Preparing for an Engagement

A piper friend, Pastor Michael McNiel in Washington, who is a member of our International Fellowship of Christian Pipers and Drummers, wrote asking for suggestions on what pieces of music he might choose for a memorial service. Because he wanted a hymn to glorify God, I suggested, "To God Be the Glory."  It is one of my favorites; one I learned when I began building a hymn repertoire.  I included it in the medley, "I Sing The Mighty Power of God," "To God Be The Glory," and "Immortal, Invisible, God Only Wise."  Having learned these hymns as a medley, each reminds me of the others.

I have many favorites and to name them, it would have to be according to the occasion, such as for Christmas, Easter, Thanksgiving, Weddings, Funerals, Banquets and for a certain topic in the worship service, such as going out into the world to preach the Gospel.  Then, I'd play, "I Love To Tell the Story of Jesus and His Love," or “Tell Me the Story of Jesus.”  “How Deep the Father’s Love for us” in 6/4 time is a special favorite. 

Even after I delineate my favorite hymns, there will still be a whole list of other hymns that I should have added.  But, besides those I've mentioned, I surely love the Easter hymns, such as, "Were You There?" and "Jesus Paid It All," along with, "My Jesus, I Love Thee," and of course, "The Old Rugged Cross."  After people hear those hymns, everything will be quiet.  "And Can It Be," and "One Day" are special to me, and if I were playing for a funeral service, I'd surely play, "I Stand Amazed in the presence of Jesus the Nazarene," and "Face to Face With Jesus." For a High School girl who sadly lost her life because of a shooting in school, I chose “Safe in the Arms of Jesus.”  I could be inclined to play, "When I Survey the Wondrous Cross," and if it were a nice day in the cemetery, I'd want to play, "When They Ring Those Golden Bells for You and Me!"  One can imagine hearing the bells!  For sure, I love to play, "God Be With You 'Till We Meet Again," "God Will Take Care of You," and " Precious Lord, Take My Hand."  I was thrilled to hear a piper playing one of my arrangements at a funeral.  It was recorded on a video and I was asked to watch it on the net.  It was, “I’d Rather Have Jesus Than Anything.”  

I love the hymn, "The Stranger of Galilee," especially as it is played together with, "No one Ever Cared for Me like Jesus."  That reminds me of another favorite hymn that I first heard as I sat outside the banquet hall waiting for Ruby, my wife, who was the guest speaker at a Christian Women's Club.  The guest soloist sang, "The Woman at the Well."  As soon as I could find a hymnbook containing that hymn, I arranged it for the next time I would be playing in church.  

Even now, as I write, I am reminded of another beautiful hymn, one of my favorites of course, and it is, "In the Garden," and I've played it for several funeral services.  I would choose it for the funeral of a woman, because the soloist at Ruby's mother's funeral sang “In the Garden.”  Later, a soloist sang it at my own mother's memorial service.

As I tell you of my favorite hymns, I would not want to forget, "Trumpet Tune," by Henry Purcell, for which I was complimented at a wedding, when a trumpet player said, "If you continue to play hymns like that, you'll put us trumpet players out of business."  “All six parts of “The Highland Wedding March" are great for playing the bride into the church.  To my list, I could add, "Glorious Things of Thee Are Spoken,” by Franz Joseph Haydn.  It’s called Austrian Hymn, which goes by many other titles such as, “Hail the Glorious Golden City,” “Praise the Lord! Ye Heavens Adore Him,” and “In Thanksgiving Let Us Praise Him.”  It is Austria’s National Anthem.  Then, the tune is known as, “God, Preserve our Noble Emperor.”  It’s very stately.  

If I were to choose one hymn that's really majestic, it would be "Highland Cathedral."  It's not in the hymnbooks, but it is beautiful, especially in a big, acoustically perfect church such as our White Rock Baptist Church.  It just rises to the skies. You will find it in “Songs of Scotland,” Volume 12(a)of The Church Piper.  The hymn, “See What a Morning” by Keith Getty is likewise stimulating.  “The Flower of Scotland” is also a proud song when played according to its original setting.  It can be found in “More Songs of Scotland,” Volume 12(b) of The Church Piper.  Some have rearranged it but without giving it the necessary feel.  It requires the first three notes as the introduction and throughout, a grouping of three notes that cause one to hear those three introductory notes on the right foot with stresses on the left.  This is considered one of Scotland’s National Anthems and it commands national pride, the same as “Highland Cathedral.”   

You can see that I love the hymns, just as I'm sure you do.  One reminds me of another, and they are chosen according to the occasion.  I want to wish you wonderful satisfaction, when you play for a memorial service or for any other special occasion.  If you have to transpose and arrange a piece before you have thoroughly committed it to memory, don't be afraid to use a music stand or hang the music on a wall.  I did, on the day I played, "Londonderry Air" (Danny Boy) for the first time.  I had only been asked a day before if I would play that song and I had to arrange it.  I mentioned to the funeral director, that "Sometimes you fellows don't give a guy much notice."  He replied rather stiffly, saying, "We don't get much notice either." 

A last thought is to tell how a certain hymn came about to be a favorite.  It is, "I Am Trusting.”  Four men at the funeral service of a friend’s father sang it in harmony.  I hadn’t heard it before, but because it was so touching, I told my friend that I'd like to arrange it for the pipes.  He actually found a tattered and torn hymnbook for me from the archives of that country church and endeared himself even more by presenting it to me.  Being tattered, made it more precious.

Don't overlook two beautiful hymns, one of which you might select.  They are, "Abide With Me," and "In the Sweet Bye and Bye."

I will write other comments about my favorite compositions in a separate note.  With this one, you might get the inspiration you need for your next service.

Grandkids Can Be Fascinating

We have three grandsons and two granddaughters.  Two of the boys are brothers and they live near us in BC.  They are thirteen and eleven years old.  Their sister is nine.  One of the boys, who is seven, lives in CT along with his sister who is only five.  

The two brothers are avid fishermen and though they love school, they’d rather fish than do anything else, except for running races across-country.  One afternoon, when we were at their house, they were sorting their fishing tackle.  Before long, the two of them, along with their friend, had their rods, reels and tackle ready, along with their rubber boots, which they were already wearing, and soon were off on their bikes to Campbell River, a favorite fishing spot for them and others.

They love the thrill of having a fish on the line, but usually, the boys throw their catch back.  This afternoon, the older lad had one well hooked and it proved to be a big one, a salmon, and it required a lot of playing on the line, to tire it out.  Apparently, from the story they told us afterwards, the older boy called over his shoulder to his brother, that he needed help, and the younger fellow responded by wading deep into the water, where he caught the salmon in his arms and carried it to shore.  

Suddenly, the salmon, with all its reserve energy, gave a flip that unhooked it and sent it back into the river.  The lad realized he was soaked to the skin, and that he had entirely over-looked being dressed in his school clothes.  He and his brother decided right then, that they had to have hip waders.  Rubber boots were by no means adequate for deep river fishing.  They would be saving their grass-cutting money for the big investment needed to catch such combative game.

Their nine-year old sister, who I mentioned, is just as avid about picture puzzles as her brothers are about fishing.  Numerous times, she and I have assembled puzzles together on our dining room table.  She is an expert and doesn’t wait until the pieces have all been turned up or to start with the border.  If the colors, shapes and clues match, it is to her advantage to assemble those pieces immediately, regardless of where they belong in the whole picture.  

So, the other day, she arrived at our place with an armload consisting of two big puzzle boxes, and excitedly exclaimed, “Grandpa Keith, look what I have for us to work on!”  Her friend and she had made an exchange.  What a good idea!  The two of us set to work immediately.  We couldn’t finish the first puzzle in the short time we had available before dinner and the time afterwards when she had to be taken to Girl Guides, so I was admonished to lay a tablecloth over what we had done and wait until next Thursday or Friday to continue.  In the meantime, I was not to touch another piece!  All I can say is that I’m thankful the puzzle was covered, because without the cover, I would have been awfully tempted.  I can truthfully say, I was able to walk past the covered puzzle for days.  I would have loved to work on it, but I didn’t have that privilege.  Our grandaughter was anxious to continue, and when she arrived on Friday, a week later, to stay overnight, the puzzle was completed before supper, and we were ready to tackle the harder one, but after a game of Dominoes with freshly popped pop-corn.  

Meanwhile, in CT, our seven-year old grandson rides his bike in the area where bigger boys are doing loops with theirs.  He enjoys being where they’re practicing such daring maneuvers, and is always cautious not to ride as dangerously as they.  Let’s hope he continues to be careful.  In his quiet time, he industriously invents and constructs new car models with his Lego.  He printed a letter to the Lego Company to tell them of his new design and was thrilled to receive their reply saying they would one day be interested, as they are always looking to introduce a new model.  His grandmother and I enjoy so much, watching the occasional video of our dear grandson in CT playing a piano duet with his dad, who accompanies him on the piano’s bass notes.  We love the expression on his face when he completes a tune to his satisfaction.  

Our grandson’s five-year-old sister dresses and undresses her dolls, and has even adorned her most beautiful one with spectacles using a permanent-marking pen.  She loves that doll just the same.  What she likes best, is to look beautiful in her own very pretty dresses.  Being so nicely attired, is not her concern even though she and her brother will be going to the Bicycle Park.  She is sure the dress will wash, or believes it won’t get dirty; but it does.  Still, she’s happy to be doing what her brother loves to do, and she still looks pretty while she runs up and down over the rough and dirty bumps.  She prefers to run because her bicycle still has training wheels.

I find our grandchildren fascinating, and wish we could spend more time having fun with them.  Most likely, I’ll want to write more about the things that occupy their developing minds.        

Adjusting to the Situation

I was invited to participate in the Remembrance Day Service at Westminster House, a retirement home in White Rock, BC. As there wasn’t a trumpet player, I volunteered to play The Last Post as well as The Lament. The latter selection follows a one-minute’s silence. For The Last Post, I played “The Bugle Horn March,” accented, as a trumpeter would play it. The lament was a medley of two familiar selections, “The Minstrel Boy” and “Danny Boy,” because they would be familiar to this group of people. Afterwards, an Irish couple spoke to me saying how much it meant to them to hear those two beloved Irish songs. A year ago, I also played for the same group of people, and elected to play as the lament, “Dark Island,” which has the sadness and reverence suitable for remembering our veterans of many wars. I made the choice between it and “The Lament of the MacDonalds.” Whenever I play the latter selection, I imagine the bitter winter winds through which the Scottish clan escaped from those at Glencoe who wished to annihilate them in the middle of the night. Thank goodness they didn’t, because I’m a MacDonald. For years, in services in which I played at cenotaphs, war veterans expected to hear their piper play the prolonged strains of “The Flowers o’ the Forest,” while they remembered their comrades. I respectfully complied. Later on, however, at a businessmen’s banquet in Winnipeg, I substituted a beautiful hymn. The speaker was a veteran of the Dieppe landing. Many of his friends were killed and he was certain he would be too. As he waded into shore with bullets flying past him, he looked up and prayed, “God, if I should get out of this alive, I promise to honor You for the rest of my life.” God saved him, and people of the underground assisted by bringing him back safely to England. Since then, he gladly accepted invitations by groups such as the one to which he spoke that day, to tell of his experience and his thankfulness to God. Immediately after this dear veteran soldier completed his story, it was my responsibility to play the lament. I heard that still small voice inside me saying, “Play a tribute to God with, ‘When I Survey the Wondrous Cross.’” As I played this fine old hymn, in this intimate setting, slow-marching around the dining room, I distinctly heard individuals saying aloud, “Yes, Lord, yes, Lord.” Truly, they recognized the miracle that saved this soldier’s life when all around him his friends were cut down before they made it to shore. Once, in Winnipeg, I was invited to play for a Remembrance Day service in a retirement home. While planning the program, the social director still needed a pianist. I offered to play the piano too, if she couldn’t find one. The hymns would be familiar, such as, “O Valiant Hearts,” “O God Our Help in Ages Past,” “Faith of our Fathers” and “God of Our Fathers.” She was relieved, and we agreed that if God should send someone better qualified, we would both be thankful. It was our good fortune that a few days later, a new resident moved in, who was a musical director in one of the churches. Already, she had formed a choir and was preparing them to sing in the service. The Remembrance service in that Retirement Home was a definite tribute to our military people. The color party was led in and out by the pipes, and the choir performed beautifully. The people sang under skilled direction and the pastor delivered an honorable address. A well-practiced trumpet player played, “The Last Post" and "Reveille," and there was a minute’s silence before the pipes reverently broke in with “The Flowers o’ the Forest.” I often think how God did the exact thing for us by having that lady director move into the retirement home just when we needed her. Even though I could have played the piano, her contribution allowed me to concentrate on doing my best, playing the lament. In a month or so, I will have published the 15th volume of The Church Piper. The music book is “Patriotic Music and Familiar Folk Songs for the Church Piper.” In it are included 84 beautiful selections arranged for the pipes. Several arrangements have been written for “The Last Post” and “Reveille.” For the enthusiastic piper who would love to have the music for these selections, they will be there for practice. It is a lovely challenge to learn these pieces as well as to know other suitable laments for this sacred occasion. I hope other pipers will experience God’s presence too, as they help others to remember the great contribution our soldiers have made towards our freedom.

There is Power in a Hymn

A beautiful hymn has an indescribable quality that touches and stirs the hearts of its listeners even more acutely than the well-chosen words of an orator could accomplish.  Clearly stated by the poet, Henry Wadsworth Longfellow, 1807-1882, music is the universal language of mankind.

Beyond the tune and the poet’s rhyming stanzas, is God’s Spirit who uses these components to produce an overwhelming power that affects the emotions and makes His presence very assuring.

Thanks to God for having inspired the writing of hymns, that we may, on the right occasion, sing or play them for others to enjoy and praise God.  Hymns are the means by which lost souls will be found and saved; the power by which our fellow men and women will be brought to know forgiveness, experience renewal and have hope for eternal life.

For call to worship, the piper could select a hymn that extols God’s power, and such a hymn is, "I Sing the Mighty Power of God."

1. I sing the mighty power of God

That made the mountains rise,

That spread the flowing seas abroad

And built the lofty skies.

I sing the wisdom that ordained

The sun to rule the day;

The moon shines full at His command,

And all the stars obey.

2. I sing the goodness of the Lord

That filled the earth with food;

He formed the creatures with His Word

And then pronounced them good.

Lord, how Thy wonders are displayed

Where’er I turn my eye:

If I survey the ground I tread

Or gaze upon the sky!

3. There’s not a plant or flower below

But makes Thy glories known;

And clouds arise and tempests blow

By order from Thy throne;

While all that borrows life from Thee

Is ever in Thy care,

And everywhere that man can be,

Thou, God art present there.

                                                                 - Isaac Watts, 1674-1748

                               

Top-Notch Piping

Playing an instrument or singing a solo for call to worship in church requires top-notch musicianship. It is not an occasion for testing one’s ability as a performer, but instead, it is a sacred time in which a congregation is led in praising our Lord and Creator. Only one’s best is good enough and the musician must rank amongst the most proficient of musicians and definitely not be a beginner.

For the piper asked to play for call to worship, a few suggestions can be made to help in attaining that degree of perfection.

The first of course, is to assure that his or her instrument is working perfectly and will be beautifully tuned. The pipe bag must be absolutely airtight, to require easy blowing, and no effort to maintain constant pressure, not allowing the slightest waver of the drones throughout the hymn. This assures a steady sound that will be pleasing. If a tenor drone does not stay perfectly in tune, shut it off, and tune the remaining one to perfection. When there’s an opportunity to do so, spend time to restore the drone’s function.

The hymn medley should be selected weeks ahead and be well practiced. Not too many hymns or even too few should be selected. Three or four are sufficient to play in and out and across the front several times. Be sure not to confuse a hymn with any band tune that is similar. Consequently, one should forgo practicing any selection that may conflict with his or her memory. For an example, there are two tunes, “Highland Cathedral,” and “See, What a Morning!” in which there is a similarity in the beginning and one must avoid making a pitfall in which to fall.

Another suggestion is to assure you will be marching in step with the beat and with the emphasis. This is not quite so difficult when playing solo, but in a band everyone must practice the beginning of a three-four-retreat march. It is unlike any other march. Unless one begins differently, then he or she can be assured of playing out of step. The drums should provide the customary roll, but begin instead, by playing it on the right foot. Pipers will begin their introduction of the three-four march on the right foot, with the left foot coming down on the first beat of the bar as it should. In a medley, any tune following the three-four hymns or retreats will then be played in step. The procedure simply needs to be practiced. The usual drummers’ introduction on the left foot just doesn’t work for retreats or for hymns in three-quarter time. This is the simplest way. It makes an appreciable difference to the expression given to the music when one’s feet fall correctly on the notes to be emphasized.

When there are four quarter notes in each bar, it is well to notice that there are two ways in which the music may be played. In 4/4 time, one counts four beats to a bar, while in common time, the count is only two. The signature for common time is a C with a line drawn through it. The beat comes only on the first and third quarter notes. “Loch Lomond” is a good example for this timing or rhythm. Played in 4/4 time, the music is restricted and ponderous, while in common time, the tune flows along smoothly.

While mentioning rhythm, and expression, it is indeed noteworthy to consider the beautiful hymn, “Amazing Grace,” and explain that there is a world of difference in how it might be played as compared with how it should sound. Commonly, one hears the triplet-like notes played as a downward run with emphasis on the last note. Instead, one should endeavor to put emphasis on the first of these three notes. In fact, the whole hymn should be played with a solid beat going on in the piper’s head. Beginning with power in the two introductory notes. With Ah-a, on the right foot, and conviction on the rest of the word, ’mazing,’ which involves the entire first bar. “Grace” comes on the right foot. Throughout, the time is firm and constant, with emphasis placed on the first note of the triplets and power supplied to the high notes that have two or three beats. It is actually a thrill to play this great hymn using power and solid timing to support it. With practice, the beauty in this hymn will be extolled and its sweetness will be a wonderful tribute to God. The pattern used to play “Amazing Grace” may be applied to any other hymn when the feeling they deserve is given.

Once, having been requested to play “Amazing Grace” from the platform in church, for a memorial service, I was anticipating playing it solo for three verses. I completed the first verse, and then, unannounced to me beforehand, the organist drove home the introduction to the second verse, and he was right in tune for me to continue. The Bison Men’s Choir of Winnipeg was in the choir loft and they received the signal from the organist that they were to sing the verse, “When I’ve been there ten-thousand years.” It was a wonderful experience. Now this is often considered to be the third and final verse to the hymn, although there are thirteen verses. I didn’t dare try for another verse, for I had no idea if all the singers would have the same choice for a third verse. So, I gave the signal to the organist that two verses would be sufficient. I would have loved to play all the verses written, but couldn’t take the chance.

Often one hears someone say that his or her music teacher taught that a dotted quarter note causes the note to be played one-and-a-half times as long. That’s true of course, but it isn’t always understood that a dotted quarter note is played with two beats. First, one should notice that the quarter note has a full beat. Then notice that the dot comes on the second beat. Instead of a dot, the quarter note may be tied to the next note, which will be an eighth note, and that eighth note will complete the second beat. This makes a very neat difference in a piece of music, with the quarter note A or F for examples, tied over, then with an immediate short burrel or an eighth note being played to complete the second beat, the note of the third beat is struck. There are several good examples for playing with this neat expression. They are, “The Sands of Kuwait,” “Highland Cathedral,” “The Minstrel Boy” and “Oh! Rowan Tree.”

To be able to play well in the church setting, there is much for the piper to gain from his or her experience in a pipe band in which the pipers and their teachers conscientiously try to produce the best expression. It is insufficient merely to play the pipes, while it is necessary to uphold with pride, Scotland’s traditional and beloved musical instrument, by which one may offer genuine praise to the Lord. I hope with all my heart that these few suggestions will assist pipers to play their very best in the church setting, that all those present my respond well to his or her all-out genuine effort.